The manipulation of reality is the focus of Lina Zylla’s aesthetic practice; it revolves around the question of how reality is caused and preserved. In her installations and performances, she reacts to the respective spaces in a painterly, visual and acoustic manner by relating her voice loops, painterly interventions, and other materials, especially glass, to each other. Her layered voice and her singing oscillate between a spiritual and an ironic understanding of reality. After completing her master's degree in art history, painting, and sculpture, she studied with Günther Förg and Florian Pumhösl and graduated as a Meisterschülerin at the Academy of Fine Arts Munich in 2019. After graduating, she went to Italy on a DAAD scholarship and has since received several prizes, scholarships, and funding for projects. Her work has been shown in various art spaces in Berlin, Chemnitz, Istanbul, Munich, and Venice.